By DORIS RUBENSTEIN What song is playwright Clifford Odets referring to in his 1935 drama Awake and Sing!? For most...
by MAX SPARBER Community News Editor Minnesota has an odd taste for Frankenstein’s monster, the towering revived corpse from Mary...
By DORIS RUBENSTEIN Having been intimately involved in a one-woman play last year (Deborah Yarchun’s A Pickle starring the amazing Angela...
By DORIS RUBENSTEIN Last year’s Fringe Festival was replete with offerings with substantial Jewish connections and content. While there are...
By DORIS RUBENSTEIN Sisters Sonya and Barbra Berlovitz have been important parts of the Twin Cities theatre and arts scene...
By DORIS RUBENSTEIN Earlier this year, the Twin Cities Illusion Theatre company presented a world premiere play with strong Jewish...
by MAX SPARBER Community News Editor Paula Vogel’s play Indecent, opening Feb. 23 at the Guthrie, presents a special, explicitly...
by MAX SPARBER Community News Editor Paula Vogel, who has long been one of America’s premier playwrights, nonetheless has experienced...
By DORIS RUBENSTEIN Collected Stories, opening Feb. 24 at the Minnesota Jewish Theatre Company, has only two characters, but the...
The Yiddish Vinkl presents a discussion and readings from Got fun Nekome (God of Vengeance), by Yiddish playwright Sholem Asch,...
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